To Celebrate or Not: The Joba Chamberlain Dilemma

May 29th, 2008 · 2 Comments

Photo by Mifter

I have been catching up on my Sports Illustrated reading and I just came across Dan Patrick’s front page article from last week. For those who don’t read SI, Patrick does a short interview at the front of every issue and has a few short commentaries about sports news.

In last week’s issue he has a quick paragraph about Joba Chamberlain and his recent antics on the mound. Joba has been criticized for celebrating - maybe a little too much - in ordinary game situations. I know a lot of people have been criticizing him, but what gets me is that a few weeks earlier Patrick was celebrating Manny Ramirez for his antics. Essentially he said that Manny shouldn’t get criticized for “Manny being Manny” but we should celebrate him much like folks celebrate Favre and his boyhood enjoyment of the game.

So what’s the deal, a fiery celebration should be derided but silliness and a future hall of famer should be celebrated? We criticize modern day athletes for not caring and for it being all about the “benji’s” but when they show emotion we tell them to shut it down?

Everyone is going to do what they have to get up for games and for tough situations, if a guy needs to huff and puff what’s the issue? Don’t tell me it’s the sanctity of the game because I will fire back that any sanctity in pro sports is pretty much gone (except of course the hockey handshake!).

So what do you think - to celebrate or not - or does it matter. Leave a comment and take this quick Form Spring survey as well!

2008 Honda Accord

The all new 2008 Honda Accord is one of America's best selling cars. In fact, it is rated second in its class. The Accord, which is one of Honda's best selling vehicles, gets an all new redesign for 2008 that has both spacious seating, as well as a stylish look, both inside and out. The new Accord also has a variety of different safety features, as well as a more powerful engine, with an optional V-6. The final product takes on a sports oriented look that is better overall than its predecessor. Although the car comes with some flaws and weak points, overall the vehicles positive features far outweigh the negative ones.

The new 2008 Honda Accord comes in either a sedan or a coupe body style. The two styles are both very distinctive and share no glass or body panels. The coupe has a unique look with a narrow mesh grill and front fenders that bulge. Unlike previous years, the 2008 has a front end that is more upright.

The 2008 Honda Accord LX base model comes with steel wheels and hubcaps. However, if you move up to the LX-P, it comes with 16 inch alloy wheels. The entire line of EX models comes standard with 17 inch alloy wheels.

The 2008 model has a better ride over the previous year's model. The new car has a softer turning which appeals to the family oriented buyers. All the while, the car still offers a sporty feel drive that Honda is known for.

If you choose the 2.4 liter 4 cylinder, you can expect to get around 21 miles per gallon in the city and approximately 31 miles per gallon on the interstate. The 3.5 liter, V-6 averages around 19 miles per gallon in the city and 29 miles per gallon on the interstate.

There are a variety of different models of the 2008 Honda Accord. With the LX base model you can expect to pay around $20,000. As you work your way up to the EX-L, V-6 with Navigation you can expect to pay upwards of $30,000.

The Accord comes with a variety of different safety features. The 2008 comes with ventilated front disk brakes and solid rear brakes and 4-Wheel ABS. As well, the Accord has traction and stability control. Airbags are throughout the vehicle, such as dual front side mounted airbags and front and rear head airbags. A unique feature that the 2008 model has is occupant sensing deactivation front airbags. This simply means that if a passenger in the front seat does not weigh enough, then the airbag will not deploy should a crash occur. The rear doors are equipped with child safety locks and child seat anchors.

There are a wide variety of conveniences on the new Honda Accord. The car comes equipped with cruise control located on the steering wheel, speed-proportional power steering, and tilt and telescopic steering wheel. The car is equipped with storage in the front seatback as well as the front console.

The entertainment is the car is top notch. The Accord comes with AM/FM in-dash single CD player with CD MP3 Playback stereo, 160 watts stereo output, 6 total speakers, auxiliary MP3 audio input and speed sensitive volume control.

The Honda Accord comes in seven beautiful colors. The car comes in three different metallic colors, Alabaster Silver Metallic, Bold Beige Metallic as well as Polished Metal Metallic. The car also comes in three different pearl colors, Basque Red Pearl, Nighthawk Black Pearl and Royal Blue Pearl. You can also choose to purchase a basic white Honda Accord.

You can choose to have either leather seats or clothes seats in the new Honda Accord. Whether you pick leather or clothes seats, you can pick from three different colors for the interior, black, gray and ivory.

The 2008 Honda Accord comes with many features you will not find on other automobiles. The car is ranked second in its class and is a favorite amongst most people. Whether you are a family looking for a sedan or a single personal looking for a sporty coupe, you are sure to find it in the all new 2008 Accord. With the wonderful safety features and conveniences you will find in the Accord, this car will definitely be one that will be with you for years .

BMW GINA Light Visionary Model



The key to affecting the development of tomorrow's mobility lies in our readiness to challenge what is established and in the ability to present new options. In order to meet these objectives, BMW Group Design taps into the potential of the GINA principle (Geometry and Functions In "N" Adaptions) which promotes innovative thinking by allowing maximum freedom of crea-tivity. GINA produces dramatically different solutions that affect the design and ********ality of future cars. The GINA Light Visionary Model is an optical expression of selective, future-oriented concepts which provide an example of the manner and extent of this transformation.

BMW Group Design is not just interested in answering the question of how the car of the future will look but primarily wishes to explore the creative freedom it has to offer. Both of these aspects are affected by the requirements that future cars are expected to meet. All ideas that the GINA Light Visionary Model presents are therefore derived from the needs and demands of customers concerning the aesthetic and ********al characteristics of their car and their desire to express individuality and lifestyle. The GINA Light Visionary Model has an almost seamless outer skin, a flexible textile cover that stretches across a moveable substructure. Individual ********s are only revealed if and when they are needed.

This new material offers designers a significantly higher level of freedom of design and ********ality.

The body consists of only four elements. The largest component extends from the front of the vehicle to the edge of the windscreen and down the sides to the rear edge of the doors. The large side panels start at the front where the rocker panels emerge and run across the rear wheel arches into the rear. The fourth component is the central rear deck element.

An innovation breaks new ground: car with a flexible outer skin

The innovation of a flexible outer skin breaks new ground in automotive engineering. This revolutionary solution opens up new design, production and ********ality potential. It has a major impact on the interaction between driver and car and enhances it by offering a variety of entirely new options. Some elements of the substructure are moveable. The driver can move them by means of electro and electro-hydraulic controls. This will also change the shape of the outer skin, which can thus be adapted to suit the current situation, the driver's requirements and can also enhance the car's ********al range.

The most striking example of this is the headlight design. In normal position, when the headlights are not active, i.e. when there is no necessity to illuminate the road, they are hidden under the special fabric cover. As soon as the driver turns on the lights, the contour of the front end changes. Activated by the metal structure that lies beneath it, the previously closed fabric cover opens to the right and left of the BMW kidney grille and reveals the BMW double head-lights. The rear and the rocker panels of the GINA Visionary Model can also adapt both the shape and ******** to the driving situation in hand. Both can change the shape of their outer skin to meet the driver's requirement for particularly dynamic motoring. This concept also takes into account a potential interaction with aerodynamic requirements. The design of the rear element allows for automatic lifting of the rear spoiler when a certain speed is reached, thus creating extra downforce on the rear axle at higher speeds. Due to the fact that the entire rear end, including the spoiler, is covered by a single sheet of material that reaches as far as the rear compartment of the interior, the homogeneous shape of the car's rear will not be affected by changes to the spoiler position. The mechanical system that moves the elements remains concealed.

The turn indicators and the taillights ******** without changes to the shape of the outer skin. Their position, however, is only revealed upon activation. The emitted light shines through the translucent fabric cover, which is permeable to light but not transparent.

The rocker panels demonstrate the formal versatility of the GINA Light Visionary Model with an equally impressive performance. The air duct can be optimised if required. A corresponding movement of the metal structure results in an adjustment of the rocker panel contour to allow for better airflow. At the same time, an additional protruding rocker panel line emerges. The aerodynamic optimization and the length of the line can be infinitely adapted to the driving situation at hand.

Special fabric cover ensures accurate reproduction of material folds.

The fact that the body surface is designed by means of a flexible fabric cover that stretches across a metal substructure means that the materials used must meet exacting requirements. Industrially produced hybrid fabric made from a stabilizing mesh netting support and an outer layer that is both water-repellent and resistant to high and low temperatures is suitable for this application.

Another essential material property is a maximum level of dimensional stability.

It must remain dimensionally stable irrespective of the temperature and air humidity it is exposed to even after severe and constant expansion. The dimen-sional stability helps retain the cover's surface tension for a long period of time. The movement of individual body elements creates accurately reproducible folds in the material. In its choice of material BMW Group Design was inspired by exterior and interior architecture. The expertise of seat pattern designers working for BMW Group Interior Design was successfully applied in order to cut the fabric webbing to size with maximum precision, determine the strategic position of attachment points and stretch the material. As a result, the surfaces are remarkably well balanced and due to the steady tension that is retained between any two clearly defined points, the lines are extremely accurate.

The special fabric is supported by a metal wire structure. At specific points, the high-strength metal is enhanced by carbon struts with a higher flexibility. They are used predominantly for round, moving contours with a particularly narrow radius.

The use of large fabric areas and the possibility of changing the surface contours by moving individual parts of the metal mesh that lies beneath it create a new relationship between form and ********. If additional cooling air is required, the BMW kidney grille at the front of the vehicle can be opened. Because the overall surface of the special fabric covering remains unchanged, the contraction at the front of the vehicle, which is necessary for ********al reasons, has to be compensated for by extra tension in other areas. The result is an optically attractive interaction between various body parts that introduces a new dimension to sculptural design. The widening of the kidney grille openings is activated by a movement of the metal mesh in the front area of the side panels. This creates more tension, which becomes visible by the emergence of an additional character line. The development of this new contour tenses the front of the vehicle: the kidney grille opens up.

Innovative body structure introduces new ********al dimensions.

The high-precision fit of the material to the metal mesh also allows surface changes without slackening the tension. In this case, opening of the surface by moving the respective steel mesh struts creates precisely defined folds in the material. The GINA Light Visionary Model uses this option to display a ******** that corresponds to the opening of the hood in conventional vehicles. The material opens at the centre of the engine cover and can be folded to the far right and left along an opening line that is approximately 0.5 meters long, to allow the driver or mechanic access to the service points in the engine.

The filler caps of the engine oil, cooling and wiper water tanks are now open for servicing. Opening and closing is similar to the mechanism on a doctor's traditional medical bag, where clip-lock fasteners are held together in the middle by a rail.

The effect of the accurate surface material draping is even more impressive when the doors are opened. They swing both outwards and upwards. The high number of attachment points for the fabric cover positioned at the front of the car as well as at rear door edges creates a clearly defined and perfectly reproducible bulk of material. The draping is confined to the area between the front door edge and the side panel. Once the doors are closed, the folds in material disappear completely, leaving a perfectly smooth, stretched material surface.

The interior: discourse between driver and vehicle.

In the interior, variability, form and ******** are united in an inseparable connection. Whenever selected ********s are accessed, the driver also changes the appearance of individual car elements. Again, the car's variability is adapted to suit the driver's needs. This creates a close interaction between driver and car in various different situations.

When the car is parked, the steering wheel and the round instruments - rev counter, speedometer and fuel gauge, which are vertically arranged on the centre console, are in idle position. This provides the driver with maximum comfort upon entering the car. Likewise, the seat only assumes its optimised ********al position and shape if and when the driver sits down on it.

At that point, the headrest, previously firmly integrated into the seat's backrest, rises up automatically. At the same time, the steering wheel moves towards the driver and the instrument panel moves in the same direction. The information on the best driver-specific position of both steering column and seat is stored in the transducer. The engine is started simply by pushing the start/stop button.

The smooth transition of interior and exterior that is typical of BMW convertibles is reinterpreted by the GINA Light Visionary Model. The fabric that covers the rear deck runs into the interior and stretches across the driver and front passenger seats. The same material is also used for the surface design of the door trim and armrests. The shift lever in the centre console protrudes from tightly stretched textile bellows.

Driver and front seat passenger look out through a steeply inclined windscreen with the inside rear view mirror integrated into its frame. The side view mirrors are connected to the window frame. A narrow vertical dividing bar located at the center of the windscreen harks back to the typical windscreen division of traditional roadsters.

Innovative thinking put into practice: the GINA Light Visionary Model.

With the GINA Light Visionary Model, BMW Group Design focuses on a wide variety of issues that will determine the future conception of mobility.

It demonstrates the results of intense research into design, ********ality, material and production. All ideas that have been put into practice in the GINA Light Visionary Model are derived from the same motivation: to challenge conventional and previously pursued solutions. The quest for alternative options has generated a wide variety of different requirements that potential solutions are expected to meet. The main focus is on providing general versatility and catering to customer requirements with sophisticated solutions. In accordance with the GINA principle, every ********ality enhancement helps to create an emotional bond between the driver and their car. The new solutions also allow for the option of fast, flexible and cost-efficient production.

Every innovation demonstrated by the GINA Light Visionary Model also contributes to a clearly optimised resource management. As the quest for sustainability is one of the central issues of the GINA philosophy, new materials and manufacturing processes are expected to consume less resources and energy than previous solutions. Accordingly, the infrastructure used for manufacturing cars that are built in compliance with the GINA principle, has also changed. The manufacturing process requires fewer model-specific tools, and more highly-qualified skilled specialists. In all the areas referred to above, the GINA Light Visionary Model has provided inspiration for more intense research into ideas conceived as a result of maximum creative freedom.

Emotional appeal of roadster models and visionary prospect of future cars.

The solutions conceived as part of this philosophy are not considered sepa-rately, but have been pooled in an integrating vision - a vision that is expressed in the context of an outstanding, fascinating car. The basic features of a roadster with its eight-cylinder combustion engine below a stretched front that applies motive power to the rear wheels in order to move the car along the road defines this context. The synthesis of elementary visions and sheer driving pleasure expressed by the appearance of the GINA Light Visionary Model has a particularly striking emotional impact. Only the particular appearance of a fascinating car with its authentic design that creates a natural aesthetic look can bring to light the significance of the presented innovations.

The GINA Light Visionary Model builds a bridge between vision and reality by presenting a number of features with a striking similarity with those found on production vehicles. The Roadster rests on 20" alloy wheels in a cross-spoke design with a matt silver finish. The car body is comprised of an exceptionally light aluminum space frame. Two double tailpipes for the rear exhaust system, a third brake light integrated into the height-adjustable rear spoiler, an air splitter at the front and a rear-end diffuser in a carbon design also meet the standards of a production vehicle.

Nevertheless, the GINA Light Visionary Model retains its character as an object of research. It demonstrates the innovative force of BMW Group Design and its ability to challenge what is established, to find new solutions and to interpret these in the context of the car of the future at a high aesthetic level. This car is the logical continuation of the GINA principle in action. The GINA principle has already led to a variety of innovative concepts and has production vehicles in ways that are completely new and unprecedented by any other car manufacturer.

BMW Group Design uses concept cars such as the BMW concept car CS1 of 2002 as a step on the way towards putting a particular vision into practice. The CS1 was the first to present features such as the basic principle of the innovative control system - the BMW iDrive. Independently from all other innovative features shown by this concept car, the iDrive has become a series production feature.

Similarly, the GINA principle gave rise to an innovative manufacturing method that allows the manufacturers to decorate outer skin components that have been preformed by conventional methods with indi-vidually configured, high-precision contour lines prior to their reintegration into the manufacturing process. The Rapid Manufacturing method utilized for this process was first used during the production of hoods for the BMW Z4 M Roadster and the BMW Z4 M Coupé. In these models, the finished hood has received two distinctive contour lines prior to painting. These are not produced by a pressing tool but embossed into the metal with pin-point precision by a robot-guided steel pin.

Both examples illustrate the challenging route from a vision to a concept and to final series production that is not always straight and direct. With the GINA Light Visionary Model, BMW Group Design shows where this route begins. Not all innovations shown by the GINA Light Visionary Model will pro-ceed to the next stages. In its entirety, however, the visionary look into the future shows the extent to which the BMW Group employs creative potential in its endeavor to respond to the challenges of tomorrow's mobility.

Rhodes Travel

Isle of Rhodes

The origin of Rhodes is connected to a myth mentioned by Pindar. According to that myth, twhen Zeus defeated the Giants and became lord and master of the Earth, he decided to divide it up among the Olympian gods. But during this division Helios, the Sun-God, was absent and “no one remembered to include him in the draw and thus this purest of the gods was left without a country of his own”. When Helios returned he complained to Zeus about the injustice that had been done to him and he asked the father of the gods to promise him that the land that would come forth from the sea would become his. And indeed while he was speaking, a beautiful, flower-strewn island began to slowly merge from the deep blue sea. It was Rhodes. Overcome with happiness Helios bathed the island in his own radiance and made it the loveliest island in the Aegean Sea.
Another myth attributes the origin of Rhodes to the love Helios had for the nymph Rhodos, who was the daughter of Poseidon, the god of the sea. When he saw her, as the myth tells us, Helios was so smitten by her beauty that he made her his wife. Together they had one daughter and seven sons. According to the myth, one of their sons, Kerkafos, had three children: Kameiros, lalyssos and Lindos who built the three largest towns on the island. It is also said that the island took its name from the nymph Rhodos alone, while another source says the name comes from Greek word for rose. On this island of myths and flowers, the centuries have left the marks of a flourishing and rich culture. Its geographical position has played an important role in the develop of the island’s commerce, even in prehistoric times and it has provided it with long periods of prosperity throughout its three thousand year long history.
The emerald isle of Rhodes lies in the southeastern part of the Aegean sea on the sea lane between East and West. It is the largest island there and the capital of a complex of approximately two hundred other islands known as the Dodecanese. Several of these, including Rhodes itself, broke through the surface of the sea in the distant past as a result of earthquakes. The fossilized seashells on the slopes of the mountains confirm this and add substance to the myth of Rhodes’ birth.
Rhodes lies 270 nautical miles from Piraeus and is surrounded by the islands ofSymi, Titos, Chalki and Alimia as well as the rocky outcroppings of Tragousa, Makry, Strongyli, Drosonisi, Prasonisi, Galouniand Tetrapoli. It has an area of 1,400 sq. km., a length of 78 km. and a width of 38 km. at its widest point. Its coastline has a length of 220 km. consisting primarily of level sand beaches split by steep cliffs. The southernmost point of the island is found at Prasonisi which is joined to the island by a strip of sand. The land is by and large mountainous, with small plains, verdant ravines and river-beds, valleys and plateaus. The highest mountain is Attavyros (1,215m.) with the smaller mountains ofAkramytis (825m.) and Profitis Ilias (798 m.). Rhodes has, on an average, 300 days of sunshine a year. The continual sunshine and the mild climate make the island suitable for viticulture. Its superb climate, the fertile soil and the geographical position are the main factors which have made the island densely populated from antiquity up to the present. Its population today is around 90,000 and they are able to play host to more than 1,250,000 visitors a year. Visitors who come to enjoy the island’s natural beauty and to get acquainted with its long history.

About Mongolia

Mongolia horse on a wide wasteland

Mongolia is a land of horses and herdsmen and one of the last great, undisturbed wilderness areas on earth. Among its 2.4 million people are some of the last truly nomadic pastoralists in the world - but how long they will survive is questionable. About one-third of the scant population are concentrated in the capital, Ulaanbaatar, whereas the dwindling population of nomads, herdsmen -with their millions of head of livestock, are spread throughout the country. The people are well matched to the land they inhabit, they are tough, resilient, stoical by dint of necessity, but genuinely fun-loving, easy going and kind.
Since earliest times, tribes have moved across the great Central Asian plains and mountain ranges that cover present-day Mongolia, but little is known of the ethnic origins of the proto-Mongol people. The mystery lies tangled in the fact that we are dealing with a fluid and changeable nomadic society. The division between Inner and Outer Mongolia (the latter being the area covered by this guide) was effected by the Qing dynasty Manchus of China (1644-1912), who conquered southern (Inner) Mongolia before northern (Outer) Mongolia. This has resulted in differences between the two areas.
On the whole, within the city, the nomadic culture of the countryside mixes easily with the modern urban culture of Ulaanbaatar and the two often combine without fuss. This is best seen in Ulaanbaatar, where a Mongol teenager -wearing a silk tunic, fur hat and long leather boots might jump off his horse (which is quickly ridden away by a friend since, according to recent law, animals are not allowed in the town centre), contact his mother by mobile phone to say he will be home late, and then spend the evening with his girlfriend, either shopping in a modern supermarket, or dancing in one of the city’s new bars or discos.
Mongolia is connected to the fashion houses of the world through its marketing of cashmere. In Ulaanbaatar it is not surprising to see the latest Asian or European up-to-the-minute designs in clothing and trendy footwear. Young city Mongols are very style-conscious; chart music in UB discos is as modern as it is in London or Tokyo. Internet cafe culture is well established and the capital can boast many new restaurants serving international cuisine.
What is clear is that the life of the Mongolian nomad is changing drastically. Prime Minister Nambaryn Enkbayar said, ‘In order to survive, we may have to stop being nomads.’ On the steppes, a few satellite phones (if not more numerous trucks) have taken the place of horseriding couriers, who in the days of the Mongol empire covered vast distances at a gallop, bringing news to and from outlying regions. As more modern machinery enters a Mongolia that is beginning to abandon its ancient disciplines, one wonders •what it will do to the countryside and its people. The slow and fast tracks of the ancient as well as the modern world have their individual and separate consequences. The nomad is slowed down by lack of machinery and his workload increased, whereas machines only present more problems in isolated places when it comes to replacing broken parts. Extreme concerns are that although Mongolia is open to the world of trade and tourism, the natural environmental and traditional livelihood of the nomads is likely to suffer, unless financial assistance for rural development, with stricter laws on planning, and other controls are put in place. This is particularly the case following the hard winters that in recent years have brought about overwhelming livestock losses alongside other socio-economic difficulties. Should this situation last, it could threaten the original identity of all Mongolians, particularly the truly pastoral nomads who embody Mongolia’s cultural heritage. The thought that they might face extinction is an irony because it was their heritage, with its openness and toughness, which helped to make the successful switch from a command economy to a market-orientated one.